CHAPTER I
VICKY VAN
Victoria Van Allen was the name she signed to her letters and to her cheques, but Vicky Van, as her friends called her, was signed all over her captivating personality, from the top of her dainty, tossing head to the tips of her dainty, dancing feet.
I liked her from the first, and if her "small and earlies" were said to be so called because they were timed by the small and early numerals on the clock dial, and if her "little" bridge games kept in active circulation a goodly share of our country's legal tender, those things are not crimes.
I lived in one of the polite sections of New York City, up among the East Sixties, and at the insistence of my sister and aunt, who lived with me, our home was near enough the great boulevard to be designated by that enviable phrase, "Just off Fifth Avenue." We were on the north side of the street, and, nearer to the Avenue, on the south side, was the home of Vicky Van.
Before I knew the girl, I saw her a few times, at long intervals, on the steps of her house, or entering her little car, and half-consciously I noted her charm and her evident zest of life.
Later, when a club friend offered to take me there to call, I accepted gladly, and as I have said, I liked her from the first.
And yet, I never said much about her to my sister. I am, in a way, responsible for Winnie, and too, she's too young to go where they play Bridge for money. Little faddly prize bags or gift-shop novelties are her stakes.
Also, Aunt Lucy, who helps me look after Win, wouldn't quite understand the atmosphere at Vicky's. Not exactly Bohemian—and yet, I suppose it did represent one compartment of that handy-box of a term. But I'm going to tell you, right now, about a party I went to there, and you can see for yourself what Vicky Van was like.
"How late you're going out," said Winnie, as I slithered into my topcoat. "It's after eleven."
"Little girls mustn't make comments on big brothers," I smiled back at her. Win was nineteen and I had attained the mature age of twenty-seven. We were orphans and spinster Aunt Lucy did her best to be a parent to us; and we got on smoothly enough, for none of us had the temperament that rouses friction in the home.
"Across the street?" Aunt Lucy guessed, raising her aristocratic eyebrows a hair's breadth.
"Yes," I returned, the least bit irritated at the implication of that hairbreadth raise. "Steele will be over there and I want to see him—"
This time the said eyebrows went up frankly in amusement, and the kind blue eyes beamed as she said, "All right, Chet, run along."
Though I was Chester Calhoun, the junior partner of the law firm of Bradbury and Calhoun, and held myself in due and consequent respect, I didn't mind Aunt Lucy's calling me Chet, or even, as she sometimes did, Chetty. A man puts up with those things from the women of his household. As to Winnie, she called me anything that came handy, from Lord Chesterton to Chessy-Cat.
I patted Aunt Lucy on her soft old shoulder and Winnie on her hard young head, and was off.
True, I did expect to see Steele at Vicky Van's—he was the club chap who had introduced me there—but as Aunt Lucy had so cleverly suspected, he was not my sole reason for going. A bigger reason was that I always had a good time there, the sort of a good time I liked.
I crossed the street diagonally, in defiance of much good advice I have heard and read against such a proceeding. But at eleven o'clock at night the traffic in those upper side streets is not sufficient to endanger life or limb, and I reached Vicky Van's house in safety.
It was a very small house, and it was the one nearest to the Fifth Avenue corner, though the long side of the first house on that block of the Avenue lay between.
The windows on each floor were brilliantly lighted, and I mounted the long flight of stone steps sure of a merry welcome and a jolly time.
I was admitted by a maid whom I already knew well enough to say "Evening, Julie," as I passed her, and in another moment, I was in the long, narrow living-room and was a part of the gay group there.
"Angel child!" exclaimed Vicky Van herself, dancing toward me, "did he come to see his little ole friend?" and laying her two hands in mine for an instant, she considered me sufficiently welcomed, and danced off again. She was a will o' the wisp, always tantalizing a man with a hope of special attention, and then flying away to another guest, only to treat him in the same way.
I looked after her, a slim, graceful thing, vibrant with the joy of living, smiling in sheer gayety of heart, and pretty as a picture.
Her black hair was arranged in the newest style, that covered her ears with soft loops and exposed the shape of her trim little head. It was banded with a jeweled fillet, or whatever they call those Oriental things they wear, and her big eyes with their long, dark lashes, her pink cheeks and curved scarlet lips seemed to say, "the world owes me a living and I'm going to collect."
Not as a matter of financial obligation, be it understood.
Vicky Van had money enough and though nothing about her home was ostentatious or over ornate, it was quietly and in the best of taste luxurious.
But I was describing Vicky herself. Her gown, the skirt part of it, was a sort of mazy maize-colored thin stuff, rather short and rather full, that swirled as she moved, and fluttered when she danced. The bodice part, was of heavily gold-spangled material, and a kind of overskirt arrangement was a lot of long gold fringe made of beads. Instead of a yoke, there were shoulder straps of these same beads, and the sleeves weren't there.
And yet, that costume was all right. Why, it was a rig I'd be glad to see Winnie in, when she gets older, and if I've made it sound rather—er—gay and festive, it's my bungling way of describing it, and also, because Vicky's personality would add gayety and festivity to any raiment.
Her little feet wore goldy slippers, and a lot of ribbons criss-crossed over her ankles, and on the top of each slipper was a gilt butterfly that fluttered.
Yet with all this bewildering effect of frivolity, the first term I'd make use of in describing Vick's character would be Touch-me-not. I believe there's a flower called that—noli me tangere—or some such name. Well, that's Vicky Van. She'd laugh and jest with you, and then if you said anything by way of a personal compliment or flirtatious foolery, she was off and away from your side, like a thistle-down in a summer breeze. She was a witch, a madcap, but she had her own way in everything, and her friends did her will without question.
Her setting, too, just suited her. Her living room was one of those very narrow, very deep rooms so often seen in the New York side streets. It was done up in French gray and rose, as was the dictum of the moment. On the rose-brocaded walls were few pictures, but just the right ones. Gray enameled furniture and deep window-seats with rose-colored cushions provided resting-places, and soft rose-shaded lights gave a mild glow of illumination.
Flowers were everywhere. Great bowls of roses, jars of pink carnations and occasionally a vase of pink orchids were on mantel, low bookcases or piano. And sometimes the odor of a cigarette or a burning pastille of Oriental fragrance, added to the Bohemian effect which is, oftener than not, discernible by the sense of smell.
Vicky herself, detested perfumes or odors of any kind, save fresh flowers all about. Indeed, she detested Bohemianism, when it meant unconventional dress or manners or loud-voiced jests or songs.
Her house was dainty, correct and artistic, and yet, I knew its atmosphere would not please my Aunt Lucy, or be just the right place for Winnie.
Many of the guests I knew. Cassie Weldon was a concert singer and Ariadne Gale an artist of some prominence, both socially and in her art circle. Jim Ferris and Bailey Mason were actors of a good sort, and Bert Garrison, a member of one of my best clubs, was a fast rising architect. Steele hadn't come yet.
Two tables of bridge were playing in the back part of the room, and in the rest of the rather limited space several couples were dancing.
"Mayn't we open the doors to the dining room, Vicky?" called out one of the card players. "The calorics of this room must be about ninety in the shade."
"Open them a little way," returned Miss Van Allen. "But not wide, for there's a surprise supper and I don't want you to see it yet."
They set the double doors a few inches ajar and went on with their game. The dining room, as I knew, was a wide room that ran all across the house behind both living-room and hall. It was beautifully decorated in pale green and silver, and often Vicky Van would have a "surprise supper," at which the favors or entertainers would be well worth waiting for.
Having greeted many whom I knew, I looked about for further speech with my hostess.
"She's upstairs in the music room," said Cassie Weldon, seeing and interpreting my questing glance.
"Thank you, lady, for those kind words," I called back over my shoulder, and went upstairs.
The front room on the second floor was dubbed the "music room," Vicky said, because there was a banjo in it. Sometimes the guests brought more banjos and a concert of glees and college songs would ensue. But more often, as to-night, it was a little haven of rest and peace from the laughter and jest below stairs.
It was an exquisite white and gold room, and here, too, as I entered, pale pink shades dimmed the lights to a soft radiance that seemed like a breaking dawn.
Vicky sat enthroned on a white divan, her feet crossed on a gold-embroidered white satin foot-cushion. In front of her sat three or four of her guests all laughing and chatting.
"But he vowed he was going to get here somehow," Mrs. Reeves was saying.
"What's his name?" asked Vicky, though in a voice of little interest.
"Somers," returned Mrs. Reeves.
"Never heard of him. Did you, Mr. Calhoun?" and Vicky Van looked up at me as I entered.
"No; Miss Van Allen. Who is he?"
"I don't know and I don't care. Only as Mrs. Reeves says he is coming here tonight, I'd like to know something about him."
"Coming here! A man you don't know?" I drew up a chair to join the group. "How can he?"
"Mr. Steele is going to bring him," said Mrs. Reeves. "He says—Norman Steele says, that Mr. Somers is a first-class all-around chap, and no end of fun. Says he's a millionaire."
"What's a millionaire more or less to me?" laughed Vicky. "I choose my friends for their lovely character, not for their wealth."
"Yes, you've selected all of us for that, dear," agreed Mrs. Reeves, "but this Somers gentleman may be amiable, too."
Mrs. Reeves was a solid, sensible sort of person, who acted as ballast for the volatile Vicky, and sometimes reprimanded her in a mild way.
"I love the child," she had said to me once, "and she is a little brick. But once in a while I have to tell her a few things for the good of the community. She takes it all like an angel."
"Well, I don't care," Vicky went on, "Norman Steele has no right to bring anybody here whom he hasn't asked me about. If I don't like him, I shall ask some of you nice, amiable men to get me a long plank, and we'll put it out of a window, and make him walk it. Shall we?"
We all agreed to do this, or to tar and feather and ride on a rail any gentleman who might in any way be so unfortunate as to fall one iota short of Vicky Van's requirements.
"And now," said Vicky, "if you'll all please go downstairs, except Mrs. Reeves and Mr. Garrison and my own sweet self, I'll be orfly obliged to you."
The sweeping gesture with which she sought to dismiss us was a wave of her white arms and a smile of her red lips, and I, for one, found it impossible to obey. I started with the rest, and then after the gay crowd were part way down stairs I turned back.
"Please, mayn't I join your little class, if I'll be very good?" I begged. "I don't want Bert Garrison to be left alone at the mercy of two such sirens."
Miss Van Allen hesitated. Her pink-tipped forefinger rested a moment on her curved lip. "Yes," she said, nodding her head. "Yes, stay, Mr. Calhoun. You may be a help. Are you any good at getting theatre boxes after they're all sold?"
"That's my profession," I returned. "I learned it from a correspondence school. Where's the theatre? Lead me to it!"
"It's the Metropolis Theatre," she replied. "And I want to have a party there to-morrow night, and I want two boxes, and this awful, dreadful, bad Mr. Garrison says they're all sold, and I can't get any! What can you do about it?"
"Oh, I'll fix it. I'll go to the people who bought the boxes you want, and—I don't know what I'll say to them, exactly—but I'll fix up such a yarn that they'll beg me to take the boxes off their hands."
"Oh, will you, really?" and the dazzling smile she gave me would have repaid a much greater Herculean task than I had undertaken. And, of course, I hadn't meant it, but when she thought I did, I couldn't go back on my word.
"I'll do my best, Miss Van Allen," I said, seriously, "and if I can't possibly turn the trick, I'll—well, I'll buy the Metropolitan Opera House, and put on a show of my own."
"No," she laughed, "you needn't do that. But if you try and fail—why, we'll just have a little party here, a sort of consolation party, and—oh, let's have some private theatricals. Wouldn't that be fun!"
"More fun than the original program?" I asked quickly, hoping to be let off my promise.
"No, sir!" she cried, "decidedly not! I want especially to have that theatre party and supper afterward at the Britz. Now you do all you can, won't you?"
I promised to do all I could, and I had a partial hope I could get what she wanted by hook or crook, and then, as she heard a specially favorite fox-trot being dashed off on the piano downstairs, she sprang from her seat, and kicking the satin cushion aside, asked me to dance. In a moment we were whirling around the music room to the zipping music, and Mrs. Reeve and Garrison followed in our steps.
Vicky danced with a natural born talent that is quite unlike anything acquired by lessons. I had no need to guide her, she divined my lead, and swayed in any direction, even as I was about to indicate it. I had never danced with anyone who danced so well, and I was profuse in my thanks and praise.
"I love it," she said simply, as she patted the gold fringes of her gown into place. "I adore dancing, and you are one of the best partners I have ever had. Come, let us go down and cut into a Bridge game. We'll just about have time before supper."
Pirouetting before me, she led the way, and we went down the long steep stairs.
A shout greeted her appearance in the doorway.
"Oh, Vicky, we have missed you! Come over here and listen to Ted's latest old joke!"
"No, come over here and hear this awful gossip Ariadne is telling for solemn truth. It's the very worst taradiddle she ever got off!"
"Here's a place, Vicky Van, a nice cosy corner, 'tween Jim and me.
Come on, Ladygirl."
"No, thanks, everybody. I'm going to cut in at this table. May I? Am I a nuisance?"
"A Vicky-nuisance! They ain't no such animal!" and Bailey Mason rose to give her his chair.
"No," said she, "I want you to stay, Mr. Mason. 'Cause why, I want to play wiz you. Cassie, you give me your place, won't you, Ducky-Daddles? and you go and flirt with Mr. Calhoun. He knows the very newest flirts! Go, give him a tryout."
Vicky Van settled herself into her seat with the happy little sigh of the bridge lover, who sits down with three good players, and in another moment she was breathlessly looking over her hand. "Without," she said, triumphantly, and knowing she'd say no word more to me for the present, I walked away with Cassie Weldon.
And Cassie was good fun. She took me to the piano, and with the soft pedal down, she showed me a new little tone picture she had made up, which was both picturesque and funny.
"You'd better go into vaudeville!" I exclaimed, as she finished, "your talent is wasted on the concert platform."
"That's what Vicky tells me," she returned. "Sometimes I believe I will try it, just for fun."
"You'll find it such fun, you'll stay in for earnest," I assured her, for she had shown a bit of inventive genius that I felt sure would make good in a little musical turn.
CHAPTER II
MR. SOMERS
It was nearly midnight when Steele came, and with him was a man I had never seen before, and whom I assumed to be the Mr. Somers I had heard about.
And it was. As Steele entered, he cast his eye around for Vicky, and saw her at the bridge table down at the end of the room. Her back was toward us, and she was so absorbed in the game she did not look round, if, indeed, she heard the noise of their arrival.
The two men stopped near the group I was with and Steele introduced
Mr. Somers.
A little curiously I looked at him, and saw a large, self-satisfied looking man wearing an expansive smile and expensive apparel. Clothes the very best procurable, jewelry just inside the limits of good taste—he bore himself like a gentleman, yet there was an unmistakable air of ostentatious wealth that repelled me. A second look made me think Mr. Somers had dined either late or twice, but his greetings were courteous and genial and his manner sociable, if a little patronizing. He seemed a stranger to all present, and his eye roved about for the charming hostess Steele had told him of.
"We'll reach Miss Van Allen presently." Steele laughed, in answer to the glance, "if, indeed, we dare interrupt her game. Let's make progress slowly."
"No hurry," returned Somers, affably, beaming on Cassie Weldon and meeting Ariadne Gale's receptive smile. "I'm anchored here for the moment. Miss Weldon? Ah, yes, I've heard you sing. Voice like a lark—like a lark."
Clearly, Somers was not much of a purveyor of small talk. I sized him up for a lumbering oldster, who wanted to be playful but didn't quite know how.
He had rather an austere face, yet there was a gleam in his eye that belied the austerity. His cheeks were fat and red, his nose prominent, and he was clean shaven, save for a thick white mustache, that drooped slightly on either side of a full-lipped mouth. His hair was white, his eyes dark and deep-set, and he could easily be called a handsome man. He was surely fifty, and perhaps more. Had it not been for a certain effusiveness in his speech, I could have liked him, but he seemed to me to lack sincerity.
However, I am not one to judge harshly or hastily, and I met him half way, and even helped him in his efforts at gay affability.
"You've never been here before?" I asked; "Good old Steele to bring you to-night."
"No, never before," and he glanced around appreciatively, "but I shall, I hope, come often. Charming little nest; charming ladies!" a bow included those nearest.
"Yes, indeed," babbled Ariadne, "fair women and brave men."
"Brave, yes," agreed Somers, "to dare the glances of such bright eyes. I must protect my heart!" He clasped his fat hands pretty near where his heart was situated, and grinned with delight as Ariadne also "protected" her heart.
"Ah," he cried, "two hearts in danger! I feel sure we shall be friends, if only because misery loves company."
"Is it really misery with you?" and Ariadne's sympathy was so evidently profound, that Cassie Weldon and I walked away.
"I'll give Ariad her innings," said the vivacious Miss Weldon, "and
I'll make up to the Somers kid later. Where'd Vicky pick him up?"
"She doesn't know him at all. Norman Steele brought him unbeknownst."
"No! Why, Vick doesn't allow that sort of thing."
"So I'm told. Any way, Steele did it."
"Well, Vicky's such a good-natured darling, maybe she won't mind for once. She won't, if she likes the little stranger. He's well-meaning, at any rate."
"So's Ariadne. From her smile, I think she well means to sell him her latest 'Autumn In The Adirondacks,' or 'Lady With A Handbag'."
"Now, don't be mean!" but Cassie laughed. "And I don't blame her if she does. Poor Ad paints above the heads of the public, so if this is a high-up Publican, she'd better make sales while the sun shines."
"What's her work like?"
"You can see more of it in this house than anywhere else. Vicky is so fond of Ariadne and so sorry her pictures don't sell better, that she buys a lot herself."
"Does Miss Gale know Miss Van Allen does it out of—"
"Don't say charity! No, they're really good stuff, and Vicky buys 'em for Christmas gifts and bridge prizes."
"Does she ever play for prizes? I thought she liked a bit of a stake, now."
"Yes, at evening parties. But, often we have a dove game of an afternoon, with prizes and pink tea. Vicky Van isn't a gay doll, you know. She's—sometimes, she's positively domestic. I wish she had a nice husband and some little kiddies."
"Why hasn't she?"
"Give it up. She's never seen any man she loved, I s'pose."
"Perhaps she'll love this Somers person."
"Heaven forbid! Nothing less than a crown prince would suit Vicky Van.
Look, she's turning to meet him. Won't he be bowled over!"
I turned, and though there were several people between us, I caught a glimpse of Somers' face as he was presented to Miss Van Allen. He was bowled over. His eyes beamed with admiration and he bowed low as he raised to his lips the dainty, bejeweled hand.
Vicky, apparently, did not welcome this old-time greeting, and she drew away her hand, saying, "not allowed. Naughty man! Express proper compunction, or you can't sit next me at supper!"
"Forgive me," begged Somers. "I'm sorry! I'll never do it again—until after I sit next you at supper!"
"More brains than I thought," I said to Cassie, who nodded, and then
Vicky Van rose from her chair.
"Take my place for a moment, Mr. Somers," she said, standing before him. "I—" she dropped her eyes adorably, "I must see about the arrangement of seats at the supper table." With a merry laugh, she ran from the room, and through the long hall to the dining-room.
Somers dropped into her vacant chair, and continued the Bridge game with the air of one who knows how to play.
In less than five minutes Vicky was back. "No, keep the hand," she said, as he rose. "I've played long enough. And supper will be ready shortly."
"Finish the rubber,—I insist" Somers returned, and as he determinedly stood behind the chair, Vicky, perforce, sat down.
He continued to stand behind her chair, watching her play. Vicky was too sure of her game to be rattled at his close scrutiny, but it seemed to me her shoulders shrugged a little impatiently, as he criticized or commended her plays.
She had thrown a light scarf of gauze or tulle around when she was out of the room, and being the same color as her gown, it made her seem more than ever like an houri. She smiled up into Somers' face, and then, coyly, her long lashes fell on her pink cheeks. Evidently, she had concluded to bewitch the newcomer, and she was making good.
I drew nearer, principally because I liked to look at her. She was a live wire to-night! She looked roguish, and she made most brilliant plays, tossing down her cards with gay little gestures, and doing trick shuffles with her twinkling fingers.
"You could have had that last trick, if you'd played for it," Somers said, as the rubber finished.
"I know it," Vicky conceded. "I saw, just too late, that I was getting the lead into the wrong hand."
"Well, don't ever do that again," he said, lightly, "never again."
As he said the last word, he laid his finger tips on her shoulder. It was the veriest touch, the shoulder was swathed in the transparent tulle, but still, it roused Vicky. She glanced up at him, and I looked at him, too. But Somers was not in flirtatious mood. He said, "I beg your pardon," in most correct fashion. Had he then, touched her inadvertently? It didn't seem so, but his speech assured it.
Vicky jumped up from the table, and ignoring Somers, ran out to the hall, saying something about looking after the surprise for the supper. To my surprise, Somers followed her, not hastily, but rather deliberately, and, quelling an absurd impulse to go, too, I turned to Norman Steele, who stood near.
"Who's this Somers?" I asked him, rather abruptly. "Is he all right?"
"You bet," said Steele, smiling. "He's a top-notcher."
"In what respects?"
"Every and all."
"You've known him long?"
"Yes. I tell you Cal, he's all right. Forget it. What's the surprise for supper? Do you know?"
"Of course not. It wouldn't be a surprise if we all knew of it."
"Well, Vicky's surprises are always great fun. Why the grouch, old man? Can't you chirrup?"
"Oh, I'm all right," and I felt annoyed that he read in my face that I was put out. But I didn't like the looks of Somers, and I couldn't say so to the man who had brought him there.
"Oh, please! Oh, please!" shouted a hoarse, strange voice, and one scarcely to be heard above the hum of gay voices and peals of gay laughter, "oh, somebody, please!"
I looked across the room, and in the wide hall doorway stood a man, who was quite evidently a waiter. He was white-faced and staring-eyed, and he fairly hung on to a portiere for support, as he repeated his agonized plea.
"What is it?" said Mrs. Reeves, as everybody else stared at the man.
"What do you want?" She stepped toward him, and we all turned to look.
"Not you—no, Madame. Some man, please—some doctor. Is there one here?"
"Some of the servants ill?" asked Mrs. Reeves, kindly. "Doctor Remson, will you come?"
The pleasant-faced capable-looking woman paused only until Doctor Remson joined her, and the two went into the hall, the waiter following slowly.
In a moment I heard a shriek, a wild scream. Partly curiosity and partly a foreboding of harm to Vicky Van, made me rush forward.
Mrs. Reeves had screamed, and I ran the length of the hall to the dining room. There I saw Somers on the floor, and Remson bending over him.
"He's killed! He's stabbed!" cried Mrs. Reeves, clutching at my arm as I reached her. "Oh, what shall we do?"
She stood just in the dining-room doorway, which was at the end of the long hall, as in most city houses. The room was but dimly lighted, the table candles not yet burning.
"Keep the people back!" I shouted, as those in the living-room pressed out into the hall. "Steele, keep those girls back!"
There was an awful commotion. The men urged the women back, but curiosity and horror made them surge forward in irresistible force.
"Shut the door," whispered Remson. "This man is dead. It's an awful situation. Shut that door!"
Somehow, I managed to get the door closed between the dining-room and hall. On the inside were Remson, Mrs. Reeves, who wouldn't budge, and myself. Outside in the hall was a crowd of hysterical women and frightened men.
"Are you sure?" I asked, in a low voice, going nearer to the doctor and looking at Somers' fast-glazing eyes.
"Sure. He was stabbed straight to the heart with—see—a small, sharp knife."
Her hands over her eyes, but peering through her fingers, Mrs. Reeves drew near. "Not really," she moaned. "Oh, not really dead! Can't we do anything for him?"
"No," said Remson, rising to his feet, from his kneeling position.
"He's dead, I tell you. Who did it?"
"That waiter—" I began, and then stopped. Looking in from a door opposite the hall door, probably one that led to a butler's pantry or kitchen, were half a dozen white-faced waiters.
"Come in here," said Remson; "not all of you. Which is chief?"
"I am, sir," and a head waiter came into the room. "What has happened?"
"A man has been killed," said the doctor, shortly. "Who are you? Who are you all? House servants?"
"No sir," said the chief. "We're caterer's men. From Fraschini's. I'm
Luigi. We are here to serve supper."
"What do you know of this?"
"Nothing, sir," and the Italian looked truthful, though scared.
"Haven't you been in and out of the dining-room all evening?"
"Yes, sir. Setting the table, and such. But now it's all ready, and I was waiting Miss Van Allen's word to serve it."
"Where is Miss Van Allen?" I broke in.
"I—I don't know, sir," Luigi hesitated, and Doctor Remson interrupted.
"We mustn't ask these questions, Mr. Calhoun. We must call the police."
"The police!" cried Mrs. Reeves, "oh no! no! don't do that."
"It is my duty," said the doctor, firmly. "And no one must enter or leave this room until an officer arrives. You waiters, stay there in that pantry. Close those doors to the other room, Mr. Calhoun, please. Mrs. Reeves, I'm sorry, but I must ask you to stay here—"
"I won't do it!" declared the lady. "You're not an officer of the law.
I'll stay in the house, but not in this room."
She stalked out into the hall, and Doctor Remson went at once to the telephone and called up headquarters.
The guests in the living room, hearing this, flew into a panic.
Of course, it was no longer possible, nor, as I could see, desirable to keep them in ignorance of what had happened.
After calling the police, Doctor Remson returned to his post just inside the dining-room door. He answered questions patiently, at first, but after being nearly driven crazy by the frantic women, he said, sharply, "You may all do just as you like. I've no authority here, except that the ethics of my profession dictate. That does not extend to jurisdiction over the guests present. But I advise you as a matter of common decency to stay here until this affair is investigated."
But they didn't. Many of them hastily gathered up their wraps and went out of the house as quickly as possible.
Cassie Weldon came to me in her distress.
"I must go, Mr. Calhoun," she said. "Don't you think I may? Why, it would interfere greatly with my work to have it known that I was mixed up in a—"
"You're not mixed up in it, Miss Weldon." I began to speak a little sternly, but the look in her eyes aroused my sympathy. "Well, go on," I said, "I suppose you will testify if called on. Everybody knows where to find you."
"Yes," she said, slowly, "but I hope I won't be called on. Why, it might spoil my whole career."
She slipped out of the door, in the wake of some other departing guests. After all, I thought, it couldn't matter much. Few, if any, of them were implicated, and they could all be found at their homes.
